1994 Takamine G334 Acoustic Guitar

Vintage dreadnought, made in Taiwan, original owner and my main guitar since 1994

 

I wanted to feature the rest of my longtime pieces, before we move on to some new acquisitions and an update on some items that were featured in the past. This one has been my acoustic guitar of choice for over 20 years. Even when this thing was brand new, it sounded sweet enough that friends were asking to use it for demo recordings.

This has since seen countless recording sessions and shows all over the state. I recently took it to Clay at Beach City Pawn and Guitar for some fret work and a set up, and he was very impressed. He even swore up and down that it's a solid-top, even though it doesn't look like it to me and Takamine's website says otherwise.

I purchased this beauty at Guitar Center in Fountain Valley, I believe the day after Christmas, 1994. The sticker price was $699 and they were having a buy one, get one free sale. My good friend and eventual first roommate wanted to buy an acoustic guitar and I didn't have one myself, so we decided to take the plunge after sitting around and playing a bunch of them for a few hours. Over these last few years, I've only picked up a few acoustics that have rivaled this beauty and its still on the wall as one of my go to's...

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1975 Takamine F400S 12-String Acoustic Guitar

Vintage Martin lawsuit copy, solid top 12-string, made in Japan

The quest for vintage solid tops may have ended, as this guitar is definitely an upgrade from the F-385 that I picked up a few months ago. This will require some TLC though. The body has warped and con-caved at the soundhole and one of the braces inside the body has also cracked. I wanted this guitar so bad, that I bought it knowing that I'd have to put some cash into it and I even took the train down to Oceanside to pick it up...

As soon as I got back home, I took the guitar to Clay at Beach City Pawn and Guitar to assess the damages. I was relieved to hear that giving the wood some moisture would help the body go to back to something resembling its former shape over time. After only 4 days of this treatment, I can already see the difference and I plan on taking new measurements on Saturday. There is also a crack on the bottom edge of the body, but it looks like it may only be in the clear finish.

This is something that will definitely have before and after photos, like the Yamaha FG-200 that I found last year. That one didn't really have any structural damage, but it was still in bad shape and now it looks and plays great. Hopefully, this will have a similar outcome. Clay also noted that the action wasn't bad, even though the body had sunken in so deeply and the bridge and neck are both in good shape. Hopefully we'll have good news to report in a couple of months.

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1978 Yamaha FG375S Acoustic Guitar

Vintage solid top, made in Taiwan, in top playing condition with slight surface wear

Most of the guitars that I buy are purchased out of sheer curiosity. Sometimes I've never heard of the brand or its something that I've seen or heard about and never actually played, so I'll at least check it out to see if its playable and then make my decision. This is a rare case where I saw something that I had to have and it will be tough for me to let go.

Along this now 3-year long journey of testing out vintage gear, Yamaha is one of the names in acoustic guitars that has made a good impression on me. I've been able to find many FG models from the early-to-mid 1970s and even more contemporary models. I even picked up a FG400A from the early-90s during a trip home to Philadelphia a couple of years ago. All of these guitars have been very good players, especially for the price and a some of them have been absolutely beautiful.

This one falls into that category. It doesn't possess the booming low-end tone of the FG-160s and 200s, but it plays like a much more expensive guitar. The diamond inlays and thick binding give that impression and other than a few nicks on the face and headstock, she's still in very good cosmetic condition as well. Someone slapped a set of Grovers on there and probably a long time ago, as they read "patent pending" on the bottom. I'm absolutely ecstatic with this guitar. I paid a little more than I normally do for what is featured here, but it was well worth it and my arsenal of acoustic guitars just got a really big gun.

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1980s Fender F 220 SB Acoustic Guitar

Vintage mid-level dreadnought with sweet sunburst finish, made in Korea or Japan

When I found this guitar, I initially thought it was much older than it really is. Partly because of the label and headstock designs, but mostly because the back of the neck looks like it had been played virtually nonstop for about as long as I've been alive. It turns out that these were produced between 1982-88, but I haven't been able to confirm exactly when or where it was made.

I've featured a few different Fender acoustic and classical guitars over the years and while all of them played surprisingly well (Fender acoustics do not have a great reputation), this one is easily the best of the bunch. It already played great before I took it to Clay at Beach City Pawn and Guitar and after he was finished with it, it just about plays itself.

The action is nice and low and the sound it produces is better than expected. The sunburst finish and snowflake fret markers definitely make this guitar stand out from the bargain bin jobs and the natural relic look of the neck gives it tons of mojo. I'm definitely happy that I made the move to pick this one up, as it is in really good shape and is a solid guitar.

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1960s-70s Crown 639 Acoustic Guitar

Vintage Japanese Gibson J-35 copycat, possible solid wood build

Despite the fact that I've been a guitar hawk for the better part of three years now, I hadn't come across many other Crown acoustic guitars since the classical featured a couple of years ago and this was the first one that I had seen locally since then. This one at least has a model number, but there is still zero information available about this guitar.

It seems to be a solid top and the guitar is about twice as heavy as any other that is currently mingling in the collection. There are no specs that can be found, so the "possible solid wood build" in the abstract is pure speculation. It is not labeled a Crown Professional, but the logo inside is very similar and the abalone inlays on the fretboard look to be of good quality.

There are some other features that stand out on the neck. For one, its a bit rounder than most and also thicker right where the headstock begins to arch back a little. It sounds super nice as well and I'm especially liking what is happening on the low end. The Carlos 240S and this now give me two really nice solid tops to record with and this one could be pushing 50 years old...

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1981 Carlos Model No. 249 Acoustic Guitar

Yet another Quality Product of Korea, this one in near-mint condition

Since the last few months have seen more pieces make their way to the Museum, you knew it was only a matter of time before another Model No. 249 showed up on the site. This one was found at a pawn shop that specializes in estate sales. They had some other instruments laying around their shop, but this beauty was really the only thing worth looking at.

Unlike the previous 1981 Model No. 249 that was featured last year, this one doesn't have quite as much red in the finish and is closer to the 1982 versions that were found. It plays and sounds just as nice as the others, though the bridge has started to lift just a tad at the high E. Hopefully, it's something that can nipped in the bud, as it will be difficult to find another in this condition.

Another cool thing happened when the photos of this guitar were posted, we ended up becoming friends with another guitar blog, this one dealing strictly with Carlos guitars. It's nice to know there are other people out there who love these little-known beauties.

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1978 Takamine F-385 12-String Acoustic Guitar

Vintage Japanese Martin copy from the lawsuit era. Some cosmetic defects, but still rock solid

Sticking with the made in Japan theme, this beauty was yet another thrift store find. Its amazing what people will give away. After parting with the 1995 G335 a couple of summers ago, I'd been looking for another Takamine 12-string and was very fortunate to have this one fall in to my lap.

It plays nice and easy, but it definitely needs a setup and some intonation work. I always set up my 12-strings with extra light strings and usually add this in on recordings to accentuate certain sections with arpeggios, just slightly in the mix.

Something occurred to me as I was taking the photos of this guitar; the date is stamped onto one of the braces around the soundhole, just like the old Carlos acoustic guitars featured here. The Carlos models that I've owned had a date stamped there from 1980-85 and the font on the stamp looks identical. The big hole in that theory is the fact that Takamines were made in Japan until at least the mid-80s and Carlos guitars were made in Korea. Of course, some of the early Jasmine models were made in Korea, so maybe it's not a completely crackpot theory.

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1980s Carlos Model No. 240S Acoustic Guitar

Vintage solid-top dreadnought, date unknown, but sweeter than words can describe 

If you've been following this blog, by now you know that I'm a full-blown Carlos enthusiast. I had never even heard of them before I came across a Model No. 249 in August 2012, but the way that one played and sounded was enough to get me hooked. This is the 12th Carlos guitar that I've picked up since then and four of them are still in my possession.

This is the first Carlos solid-top model that I've had my hands on and it sounds absolutely incredible, with both the low end and brights ringing out loud and clear. Cosmetically, there are just a couple of small dings on the face of the guitar, but not really any other flaws. The wood on both the front and back of the guitar are very attractive and the cream binding also classes it up.

I'm having trouble dating this one, as there is no serial number listed anywhere, but my educated guess would be somewhere between 1981 and 1985. I did have a Model No. 240 at one point, but that one was an older one, based on the style of the tuning pegs and the adjustable saddle. The Carlos logo on the headstock of this guitar is also unlike any other that I've seen thus far. If you have any information on this model, please pass it along...

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1992 Takamine G330 Acoustic Guitar

Vintage dreadnought, made in Taiwan, a precursor to today's G Series 

SCGM loves Takamine guitars, from the old Japanese Martin copies to today's G Series, the company has always put out quality, affordable products. This one was a craigslist find, it has it's flaws, but they're purely cosmetic. The finish has a milky haze, which I've read is moisture that somehow gets between the wood and the finish. The previous owner couldn't figure out exactly how it happened, but this Takamine 12-string from the same era also had the problem.

Like that 12-string, this guitar also plays and sounds great. I've had a G334 since December 1994 and this one feels nearly identical. The action is nice and low, with no buzz whatsoever. It also has the same die-cast Takamine tuners. We'll leave this one out of the case to see if that haze starts to dissipate after time and will set it up with a new bone saddle sooner than later, to get an even sweeter tone from this beauty.

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1981 Carlos Model No. 249 Acoustic Guitar

The third Model No. 249 we've featured, this one also needed repair 

SCGM returns after a long hiatus with another one of our favorite finds, the Carlos Model No. 249 acoustic guitar. Unfortunately, this one needed more work than the previous two that I'd found, as the bridge was coming up so bad, that it wasn't playable at all.

This one was a year older than the others that I'd come across and the finish was just a tad lighter than the 1982 versions. Aside from the problem with the bridge, there was also a hairline crack where the neck met the headstock, but it didn't as though it was a fatal flaw.

This one was passed along to another Carlos collector, who will more than likely make the necessary repairs and add a very nice and inexpensive piece to their acoustic guitar arsenal. Check back here later this week for another Carlos dreadnought that will be arriving at my door in a few days.

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1976 Yamaha FG-160-1 Acoustic Guitar

Vintage folk guitar, Black Label era, made in Taiwan 

Looks like I've settled on a few brands on my quest for affordable vintage acoustic tone: Carlos, Takamine and Yamaha. This is the 2nd FG-160 that I've had in the last year and this one is a better player by a mile.

Like that other 160, this one is not in museum-quality condition, with a fair amount of nicks scattered along the face, back and sides of the body. But, all of the flaws are cosmetic, the guitar is still rock-solid, no breaks or cracks and all of the tuners are in good working order.

Whoever had this before set the action pretty low, but that suits me just fine. I set it up with Martin SP Custom Light strings last night and cleaned it up a little bit. Even with the smaller gauge strings, the low-end is still nice and warm. All of these FGs have been players, the next Japanese model that comes my way will be staying...

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1973 Takamine Model No. F360 Acoustic Guitar

Sweet vintage Martin copy, a little beat up, but all original

These Takamine lawsuit models have been an interest of mine for a while and I've finally found a couple at good prices. As luck would have it, I've ended up with possibly some of the first and last of these Martin copies that the company made. 

Takamine experts state that 1984 was the year that the lawsuit was threatened, so 1984-85 should have been the cutoff. The first model that I picked up was a 1987. The history also shows that 1975 was the first year of major distribution to the US, so this one predates those models.

My first guess would be that both of these guitars were not only built in Japan, but also purchased there and then somehow made their way here to So. Cal.

This one does have some issues, the frets show major wear, the last owner said it was mainly used as a beach guitar, so the salt in the air probably caused the tarnishing. There is also some slight warping by the bridge, but I filed the saddle down real low and that helped the action alot. 

It stays in tune so far and there isn't any buzz, so it works for me.

Just set her up with some D'Addario Custom Light strings last night, plays and sounds great.

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1987 Takamine G330 Acoustic/Electric Guitar

Classic vintage lawsuit model, Martin dreadnought copy, modified with a pickup for plug-and-play

This is the first of these Takamine lawsuit models that I've been able to take home. I'd really been looking forward to grabbing one and it's as advertised, super sweet. The only thing that it's lacking is a solid top, but I was told that one of the previous owners was a guitar tech and it is setup beautifully. The action is real low, which makes it easier to play, and what appears to be a bone saddle gives off a nice tone.

An under the saddle pickup was also installed at some point, so this one has the added acoustic/electric feature. On top of playing and sounding great, this one is still in real tip-top shape. The only blemishes are some real small, barely noticeable marks on the top of the headstock and there is minimal wear on the first three frets.

Now that I've been able to jam on one of these, I want to find an old F series Takamine lawsuit model even more. Those generally go for at least $400, I was able to get this one for a little less and it's definitely worth every penny.

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1970s Taka Model No. TA501 Acoustic Guitar

Vintage Japanese dreadnought, sweet natural dark stain and old-style plastic tuning pegs

Well, I was able to find another nice Taka acoustic, but still no information on them. This one is nearly identical to the TA500 that was featured a few weeks back, only that one has a natural blond finish. The darker finish on this one looks sweet and the plastic tuning pegs give it an older feel.

When I got my hands on this one, it had a set of electric guitar strings on it and was a little dirty. I cleaned her up and put a new set of D'Addario acoustic XLs on last night. The tone isn't as nice as the TA500, but I think if I put a bone saddle, this one will come closer to that sound.

It's a little beat up, with some small nicks along the body, but it's structurally sound. The neck and bridge don't show any signs of giving anytime soon, so at around 40 years old, this one looks like it still has lots of life left.

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1985(?) Carlos Model No. 238 Acoustic Guitar

Another vintage high-end dreadnought from the Korean makers, this one might be the best yet

This is the 8th or 9th Carlos acoustic guitar that I've found since the end of summer and it's another really nice copy of a Martin or Guild, like the 249 that was featured yesterday, but this one has a natural finish. The serial number on the support beam reads either 1983 or 1985, it's a little smudged and hard to decipher.

The bridge has started to come up from the body, so I'll have to repair it before it can really be used for anything serious. There is hardly any wear on this guitar though, a couple of scuff marks on the edges, but the frets are still in great shape and the finish on the neck/headstock area are as nice as ever.

It sounds nice as is and as soon as I can remove the bridge and reattach it, this will probably end up being my #1 acoustic. I may end up sounding like a broken record, but don't pass up a Carlos guitar from Korea if you come across one at a good price.

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1970s Taka Model TA500 Acoustic Guitar

Rare vintage dreadnought, sounds and plays beautifully, made in Japan

Here is another great little guitar that is at least 40 years old, still in great condition and sounds absolutely beautiful. There isn't much information at all available on this brand that I've been able to find online, but I have seen them selling at some auctions for as much as $700.

This particular model sounds great, I installed a new bone saddle on it and it projects really well. Both the high and low ends are very clear. That new saddle did raise the action a little and once this set of strings is worn out a little, I'll make some adjustments to bring it back down.

This is something that if you stumble upon it and the price isn't outrageous, you should pick it up. Not sure if it's an early version of a Takamine or maybe a knock-off, but it's certainly a quality guitar. Most of these no-name vintage Japanese and Korean imports generally go for around $100-$200.

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1972 Yamaha FG-200 Acoustic Guitar

Beautiful Japanese dreadnought, over 40 years old and still in tip-top condition

Yamaha has been one of the top names in acoustic guitars for about 45 years now, with the late-60s Red Label guitars being a top choice of collectors in the vintage market. This model was the next generation in the early-70s, still made in Japan and still a beauty over 40 years later.

The FG series was a budget-line for Yamaha back in those days, with these models retailing for around $150-200. You'll be lucky to find one in good condition for that price today, as the vintage market is booming and tone junkies are always scouring the internet for good buys.

This one is definitely one of those. There is barely any wear on this guitar, a few scratch marks on the back are the biggest flaws. It plays real easy and there isn't much fret wear for a guitar of it's age. The tone on the low-end is similar to the FG-160-1 that was featured a few months back, but this is a superior guitar.

I have a feeling this will end up being my new #1 acoustic guitar for recording. Trying out some D'Addario Custom Light strings for the first time. If you're looking for a nice acoustic guitar and want to spend about $200, check craigslist or eBay for a nice Japanese-built model.

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1982 Carlos Model No. 249 Acoustic Guitar

Vintage high-end dreadnought copy, brass nut and saddle, made in Korea

This is the 2nd of this model that I've been lucky enough to find over the last few months and this one didn't need any repairs, unlike the previous copy that was featured. The body was a little more beat up, but it was still solid and there was nothing major wrong with it at all.

The brass saddle was sitting a bit too low and there was some buzzing because of it. I ended up passing it on to another longtime player here in So. Cal. This model was his first guitar way back when and he really wanted it for the sentimental value.

Hopefully I'll be able to find another, as both of these played and sounded so nice. Another Carlos from the same period will be featured tomorrow, I'm picking up as many of these that I can realistically get my hands on.

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1988 Alvarez Regent Model No. 5212 Acoustic Guitar

Vintage entry-level dreadnought, still plays great and sounds nice enough, made in Korea

Alvarez does have some top-notch acoustics floating around out there, but most of the ones I've played have been mid-level, at best. This one actually plays really fast, so it would be perfect for a beginner, but the adjustable saddle needs to be changed, because the action is actually way too low.

Some noticeable blemishes on this one, a deep scratch on the face of the guitar and some light ones along the neck joint, but it still plays fine. The tortoise shell pickguard looks nice from afar, but it's pretty dull and cheap up close. Nice dark mahogany finish on the sides and back classes it up a bit though.

Not a great guitar by any means, but still alot better than most of the Chinese no-name boxes that are out there today. If you're looking for a cheap acoustic and this is an option, it's a much better buy at $100-$150.

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1960s-70s Kay? Model No. G440 Acoustic Guitar

Vintage parlor guitar, guessing on the brand, but it's nearly identical to others I've had, made in Korea

The label inside the soundhole only lists a model number and there is no brand marker on the headstock either. It's nearly identical to a Checkmate Model No. G235 that I also picked up right around the same time, so chances are they're related.

This one plays a little better, even though the neck is separating from the body, so it doesn't stay in tune for very long. Like every Checkmate acoustic guitar that I've ever seen, this one also looks great, which is probably the reason people still collect these to this day.

The double flowered pickguards just invoke the spirit of this one's glory days. These are purely for collectors, they don't play easy enough for beginners and they don't sound anywhere near the level needed for recording and performing.

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