1985 Ibanez Roadstar II RB850 Bass Guitar

Vintage Japanese double humbucker bass, in immaculate condition, inside and out

The last few months included a quest for a bass with a humbucking pickup and after considering more recent Korean models from Schecter, Kramer and a Peavey Grind Bass that was made in Vietnam, this vintage beauty just appeared out of nowhere. I've now had 3 Roadstar guitars and basses over the past few years, two of them came from the Goodwill and both have incredibly been in impeccable condition.

I had no idea that Ibanez made a humbucker bass as part of the Roadstar series, so the ability to fill a need with my favorite brand and era of electric guitars make this an even sweeter find. This neck is super thin, even for an Ibanez and of course, it plays incredibly fast. The body also sports a sleek and slim design.Other features that stand out are the headstock and truss rod cover, which are reminiscent of the older Roadster series.

Also of note on this beauty is that it included both the original boomerang strap holders and odd-shaped, brown leather hardshell case. On the technical side, the bottom two knobs seem to control the two pickups and both are push knobs that turn them off and on. I haven't spent too much time messing around with this one yet, as most of my recent free time has been spent building some pedalboards and playing the Peavey Deuce tube amp and another sweet vintage amp that will be featured tomorrow.

Thanks for looking, more high-resolution photos here.

1980 Ibanez Iceman IC-50 Electric Guitar

Vintage Japanese axe, with original hardware and custom paint job

This is another guitar that I've owned for over 20 years and I also found this one at Westminster Jewelry and Loan. When I bought it, it was black and had many rough patches on the body, where it had been scratched and/or dinged. My buddy decided to strip it and sand it down a little to smooth out some of those blemishes and used crackle paint from the local hardware store for the paint job. A thin layer of lacquer was applied to seal it and it has slightly faded into a bit of a sweet cream color today.

The hardware was also in very bad shape, the tail piece and saddle were dipped in some sort of black coating that used to make a better grip on tools. Maybe it wasn't the best idea, sonically, but it looked cool and lasted a fairly long time.Another distinguishing feature on this guitar is the nut at the end of the fretboard, someone scalloped it at some point and that's not something you see on what is considered a mid-level guitar, at best.

I took this in to Clay at Beach City Pawn and Guitar to replace the toggle switch and clean up the electronics. He also set it up and raised the pickups. This one always played and sounded so good, that it was actually my main guitar when I first got it and I played it at my first gig over the vintage Les Paul that I've had for nearly 25 years. The pickups aren't quite as hot as the Gibson and it's a great option for laying down rhythm tracks. I'll take it back to Clay at some point to restore it further, the tuning keys have a fair amount of tarnish and the frets could use a cleaning.

Thanks for looking, more high-resolution photos here.

1975 Takamine F400S 12-String Acoustic Guitar

Vintage Martin lawsuit copy, solid top 12-string, made in Japan

The quest for vintage solid tops may have ended, as this guitar is definitely an upgrade from the F-385 that I picked up a few months ago. This will require some TLC though. The body has warped and con-caved at the soundhole and one of the braces inside the body has also cracked. I wanted this guitar so bad, that I bought it knowing that I'd have to put some cash into it and I even took the train down to Oceanside to pick it up...

As soon as I got back home, I took the guitar to Clay at Beach City Pawn and Guitar to assess the damages. I was relieved to hear that giving the wood some moisture would help the body go to back to something resembling its former shape over time. After only 4 days of this treatment, I can already see the difference and I plan on taking new measurements on Saturday. There is also a crack on the bottom edge of the body, but it looks like it may only be in the clear finish.

This is something that will definitely have before and after photos, like the Yamaha FG-200 that I found last year. That one didn't really have any structural damage, but it was still in bad shape and now it looks and plays great. Hopefully, this will have a similar outcome. Clay also noted that the action wasn't bad, even though the body had sunken in so deeply and the bridge and neck are both in good shape. Hopefully we'll have good news to report in a couple of months.

Thanks for looking, more high-resolution photos here.

1960s-70s Crown 639 Acoustic Guitar

Vintage Japanese Gibson J-35 copycat, possible solid wood build

Despite the fact that I've been a guitar hawk for the better part of three years now, I hadn't come across many other Crown acoustic guitars since the classical featured a couple of years ago and this was the first one that I had seen locally since then. This one at least has a model number, but there is still zero information available about this guitar.

It seems to be a solid top and the guitar is about twice as heavy as any other that is currently mingling in the collection. There are no specs that can be found, so the "possible solid wood build" in the abstract is pure speculation. It is not labeled a Crown Professional, but the logo inside is very similar and the abalone inlays on the fretboard look to be of good quality.

There are some other features that stand out on the neck. For one, its a bit rounder than most and also thicker right where the headstock begins to arch back a little. It sounds super nice as well and I'm especially liking what is happening on the low end. The Carlos 240S and this now give me two really nice solid tops to record with and this one could be pushing 50 years old...

Thanks for looking, more high-resolution photos here.

1976 Epiphone Texan FT-145 Acoustic Guitar

Vintage mid-70s Japanese dreadnought in great shape

This is the first vintage Epiphone that I've been able to get my hands on and even though it seems like the low-end model for its day, its still a real nice player and is in great condition. The way the neck is bolted in like an electric guitar is odd to me, but it makes it easier to get higher up on the fretboard.

One of the great things about scoring an old big name guitar like an Epiphone, when you look for information on your new toy, you find a whole lot of it. This model was made between 1972-79 and was a total budget model job. Laminate top, sides and back and nothing special to mention on the headstock and fretboard, although the binding along the body is nice.

With the amount of gear that I have laying around, something of this level probably won't make the grade, but it is a nice enough guitar and would definitely make a good beginner. These generally run between $100-200 and for the vintage tone, coupled with the big name, that's not a bad deal. Certainly beats spending the same amount of even more money for a new bundle of plywood at the big box music stores.

Thanks for looking, more high-resolution photos here.

1986 Takamine EF-341 Acoustic/Electric Guitar

Vintage Japanese build from the pioneers of acoustic/electric preamps

Without a doubt, my favorite brand of acoustic guitar is Takamine. The first guitar that I ever bought brand new was a 1994 G334, which has seen plenty of playing time and is still in the rotation today. Since then, I've seen at least a half dozen other Takamine acoustics pass through my hands and this one is among the best.

I picked this up from Clay at Beach City Pawn and Guitar, he gave me a sweet deal on the price and did a great job setting up the guitar. The action is nice and low and it sounds beautiful as a naked acoustic guitar. I'm not really a fan of acoustic guitars that are plugged in, something just gets lost in the sound for me.

But, I bought this one because it was a great price for a vintage Japanese Takamine and I didn't have an acoustic/electric in my collection, so this will be what I take with me if I ever hit an open mic or something. One thing that strikes me is how thin the neck is. It plays fast to begin with, but when I have it hung up on the wall next to the G334, you can actually see that its smaller from a short distance. This model is still in production as the EF341SC and its a popular one that goes for a pretty penny...

Thanks for looking, more high-resolution photos here.

1970s Ibanez AD-230 Analog Delay & Multi-Flanger

Vintage Japanese effects unit, super high-quality pro-audio equipment

After suspecting that the GX60 Ibanez guitar amp that I've recently come across was built by Maxon, the discovery of this beauty may have confirmed it. The circuit boards inside the casing all have Maxon stamped on them and it all looks super clean as well.

This will need repair, however. It powers up fine and switches between effects, but the effects don't actually kick in unless you crank the volume to the max. Something must be shorted out somewhere. Hopefully it will be an easy fix. When I'm able to find the sweet spot and this thing works like it should, the sounds are top-notch.

This has a very large following in the collector's market, like most 70s and early-80s Ibanez gear. Famous players who used this model, which was manufactured between 1977 and 1979 are Jerry Garcia and Bob Weir of the Grateful Dead and Steve Miller. On top of being highly-collectable, these are also incredibly rare. I've seen it listed from anywhere between $550 and $1200 recently.

Thanks for looking, more high-resolution photos here.

1978 Takamine F-385 12-String Acoustic Guitar

Vintage Japanese Martin copy from the lawsuit era. Some cosmetic defects, but still rock solid

Sticking with the made in Japan theme, this beauty was yet another thrift store find. Its amazing what people will give away. After parting with the 1995 G335 a couple of summers ago, I'd been looking for another Takamine 12-string and was very fortunate to have this one fall in to my lap.

It plays nice and easy, but it definitely needs a setup and some intonation work. I always set up my 12-strings with extra light strings and usually add this in on recordings to accentuate certain sections with arpeggios, just slightly in the mix.

Something occurred to me as I was taking the photos of this guitar; the date is stamped onto one of the braces around the soundhole, just like the old Carlos acoustic guitars featured here. The Carlos models that I've owned had a date stamped there from 1980-85 and the font on the stamp looks identical. The big hole in that theory is the fact that Takamines were made in Japan until at least the mid-80s and Carlos guitars were made in Korea. Of course, some of the early Jasmine models were made in Korea, so maybe it's not a completely crackpot theory.

Thanks for looking, more high-resolution photos here.

1985 Aria Pro II RS Knight Warrior

Vintage Japanese super-strat, made by Matsumoku and equipped with a Kahler Flyer tremolo

 

The younger cousin of the strat copy that I scored a couple of years back, this one is its mirror image and 30 years has seen the white finish age into a killer vintage cream color. The pickups seem to be original, although most photos show the guitar with blade style pickups and the Kahler Flyer is definitely stock. I took this to Clay at Beach City Pawn and Guitar for the setup and it does play and sound super sweet.

Getting back to those pickups, I found a set of vintage blade pickups, including an MMK 45 humbucker, but the PUPs inside looked to be the same build, so we decided to leave it be. This guitar doesn't have the output of some of my other electrics, but it gets really nice clean sounds and the Flyer alone is probably worth what I paid for it.

These are high-quality mid-grade guitars, worst-case scenario, and you can find them for $200 or less most times. I'm currently in the market for a bass with a rosewood fretboard and it's either going to be an Aria or another Ibanez Roadstar, which I also brought in for Clay to look at. If you live in Southern California and you need repairs to your guitars, check out the Yelp page above. Clay will take care of your guitars and give you a great deal on the price.

Thanks for looking, more high-resolution photos here.

1980s Ibanez GX60 Guitar Amp

Vintage early-80s Japanese combo amp, great cleans and distortions, takes pedals very well 

 

This was an incredible thrift store find and a rarity at that. Ibanez is among my favorite guitar brands, namely because of their electric guitars and the "fast necks" that they've been equipped with since at least 1980. This amp was also built around that time and just about everything they pumped out seems to be high quality merchandise.

Ibanez guitars and pedals from the era have a great reputation and are highly-sought after in the collectors' market, but I had no idea that they made amps as well. Much like the Boss SE processors from the late-80s simulate the sound of the pedals produced by Roland in the same period, this amp is capable of reproducing "tubescreamer" tones with the distortion on and the reverb is also very smooth.

Like many of the other items that have been featured here over the years, I haven't been able to dig up much information on this beauty. Its possible that the amp was built by Maxon, which also made the Ibanez pedals referred to above. If anyone has any info on this amp, including whether or not it came with a footswitch, please feel free to drop a line.

Thanks for looking, more high-resolution photos here.

1980s-90s Arion SAD-3, SFL-1 & SOD-1 Effects Pedals

Vintage stomp boxes, one classic Japanese make and two reissues made in Sri Lanka 

These pedals are widely available and they don't really get much respect, but they definitely get the job done, especially for the price. The delay is the most expensive, as is normally the case, but the reissue OD pedal can be found for as little as $25 in some cases.

The positives of these cheap little guys by far outweigh the negatives, mainly the plastic casings and battery covers that can easily pop off and go missing. But on the positive side, these are all stereo pedals. I've found that the delay works better for vocals, but can also produce some freak out noise for guitars. The four-knob flanger (the vintage Japanese pedal) has a little more flexibility than many of it's competitors and while the Overdrive pedal isn't anything special, one thing it has going for it is that the noise level is very low.

Thanks for looking, more high-resolution photos here.

1970s-80s Teac ME-15 Electret Condenser Microphone

Found this little gem while browsing through a thrift store, turns out it captures acoustic guitar recordings very well 

I didn't expect to find a piece of gear to add to my collection while walking through my local Goodwill store, but that's part of the reason why I stop in there every week or two, because you just never know what's sitting on the shelves in those places.

Teac, of course, is an electronics company that still exists to this day and they were known for putting out high-quality consoles in the 70s and 80s. This mic definitely seems like a budget model, as the build isn't all that impressive. Plastic casing and a mic that is powered by a AA battery. Looks really aren't very important when you're talking about putting sound onto disc (or tape, in the era this was produced).

 I was pleasantly surprised to find out that this little beauty performed admirably when I recorded a rough acoustic guitar demo to test it out and the adapter that came in the box allows me to use two tracks from the same take. I'll keep experimenting with it and see how it handles when laying down drum tracks.

Thanks for looking, more high-resolution photos here.

1980s Yamaha CH-10MII & FL-10MII Effects Pedals

Vintage Japanese stompboxes, lesser-known, but very high-quality units

This could be the last pedal post or any post, for a little while, SCGM goes on vacation starting this morning. With that disclaimer, let's get to the gear... These pedals are both real nice and the price tag is about half that of their Boss counterparts and slightly lower than the vintage DOD pedals.

The only catch is that the Yamaha MII line doesn't come along nearly as often as those or even some of the boutique pedals from the 70s and 80s. The delays still run for around $100, but these two were scored for a much lower price than that. The chorus pedal is real clean and the fact that it's stereo is also a bonus. When paired with a DOD DFX94 digital delay pedal, it replicated that Andy Summers "Walking on the Moon" sound to a tee.

The flanger is also very nice, I chose this over another good vintage, 4-button flanger made by Arion. This one was a little more quiet and didn't seem to change the volume or tone very much. When looking for vintage pedals, keep these in mind. You can save a ton of cash and still get killer vintage tone.

Thanks for looking, more high-resolution photos here.

1970s Granada 5-string Bluegrass Banjo

Sweet vintage banjo was made in Japan at the famed Matsumoku factory

Here is a real treat, the first stringed instrument that is not a guitar to be featured here at SCGM. This one belonged to a family friend and when he was looking to get rid of it, the chance was too good to pass up. In nearly 25 years of playing, this is the first time a banjo has passed through these hands, but this is a very nice instrument, even though it may not be played very often.

Granada instruments were made at the Matsumoku factory, known for cranking out guitars for Yamaha and Ibanez at different times and still revered today for making both acoustic and electric guitars for Aria, like this beauty that we found last summer. While the level of banjo expertise is minimal, both the wood and binding around body and headstock give a hint to the quality of this piece. The binding especially is reminiscent of Gibson guitars of the same era.

This is also the same brand that made a nice classical guitar which found it's way around at the same time last summer. So, that's two-for-two with Granada, if you find one, it'll likely be at a good price. Go for it...

Thanks for looking, more high-resolution photos here.

1980s-90s Boss DS-1 OD-2 & SD-1 Effects Pedals

Vintage black label effects, industry standards, made in Japan and Taiwan

As promised, there are no shortage of effects posts. A month-long search for deals on vintage stompboxes yielded over a dozen candidates and the ones that made the cut will be featured. After the MXR Distortion +, I was able to score great deals on three Boss pedals, the DS-1 & SD-1 probably being the OD/Distortion pedals on most players' boards and the OS-2 was said to have a different feel, so one of those was swept up as well.

First thoughts are that the DS-1 is very noisy and the distortion a little muddy. I was hoping to get more of an 80s thrash metal sound with it, but maybe that's why they made the Metal Distortion pedal? The SD-1 has that classic Guns N Roses sound just nailed, but it's also noisy. At first I a bit worried that these pedals were bunk because of the noise, but I've read that the problem is common and many modifications are available to fix it.

The OS-2 is the only one of the three pedals that was made in Japan and the date ties to 1986. The DS-1 is 1990 and the SD-1 dates to 1981, but these pedals began coming out of Taiwan in 1989-90, so I'm guessing 1991 with some serial number referencing getting lost in the conversion. The OS-2 was putting out a sound close to that MXR pedal mentioned above, so I'll probably pair it with the DS-1 and put the SD-1 on a board with the MXR.

Thanks for looking, more high-resolution photos here.

1978 Fender Model F-35 Acoustic Guitar

Vintage Japanese dreadnought, still in great shape 35 years later and sounds better than ever

This just fell into my lap the other day, while looking at another 1990s solid top and the owner happened to bring it along, he had never listed it for sale. Fender acoustics are kind of like the Rodney Dangerfield of guitars, they just don't get no respect...

That could be because the electrics are top industry standards alongside Gibson, but the acoustics have never been mentioned in the same breath as Martin, Guild, Taylor and Gibson. Still, All 3 Fender acoustics that I've had in the last year have all been great players. This F-35 plays and feels a lot like an old Yamaha FG series guitar.

This one was definitely made in Japan, as the decal on the back of the headstock states and the F series was produced from 1972-1981, same as the FC-10 3/4 that was one of the first guitars featured here at SCGM, so we can assume that the classical also originated from the same place.

I was able to clean off most of the little scuff marks on the back and sides of the guitar and some small stuff on the edges of the headstock, the only signs of wear that remain are some dings on the face. I filed down the saddle a bit to lower the action and put on some Martin SP Custom Lights. Really nice guitar in the same league as the Yamaha FG-200 and Takamine F360 that were recently featured.

Thanks for looking, more high-resolution photos here.

1990s Boss SE-50 Stereo Effects & SE-70 Super Effects Processors

The first rack mount multi-effects units from the top name in pedals are still favorites of gigging and recording musicians 20 years later

Released in 1990, the SE-50 Stereo Effects Processor immediately became a fixture on the rigs of the top players in the music world. James Hetfield and Kirk Hammett of Metallica reportedly used the box to produce some of the sounds from their legendary Black Album in 1990-91 and Hammett had it atop his rack on the following tour.

When the SE-70 was released 3 years later, it improved on initial model and has since been used by acts as diverse as Billy Gibbons of ZZ Top to The Prodigy. The 70 is still the superior unit, it's not nearly as noisy as the 50 and the reverbs are definitely cleaner. One of the cooler effects on here is a Vocoder, which when used on vocals, creates that scattered, echoey sound that Tommy James got on Crimson and Clover. Kind of worth it for that alone.

These are still great to use on vocals and some interesting effects for guitars. Not really what you're looking for if you just want pure tone though. The distortions aren't nearly as good as the old pedals and you can get better delays and reverbs on newer, cheaper rack units. Still a great piece of gear for the gigging musician, I was able to pick up the Midi foot controller, so these units have the ability to store effects in presets and use the controller like a modern multi-effect stomp box.

Thanks for looking, more high-resolution photos here.

1970s Hohner Telecaster Electric Guitar

Vintage Japanese import, real nice short scale copycat model

One of the few electric guitars to have made it's way into the showcase, this little Tele copy looks and plays great and sounds even better. I'm not sure exactly when it was made, but the gentleman that I acquired it from said it was 1978.

The body is real small and slim, loaded with a single P-90 style pickup. Whatever that pickup is, it gets the job done, especially on the clean channel. The sunburst finish still looks great, although there are a few nicks here on there, mostly around the edges.

Aside from the performance on the clean channel, the other that really stands out about this guitar is the neck. It feels great abd looks real nice with binding down the sides and what looks like a regular-size 22-fret neck (didn't measured it).

I had never played a Hohner electric before, so when I had the chance at this deal, I took it. It's a nice little guitar that could easily be used for recording and gigging, but the small size makes it a great beginner too.

Thanks for looking, more high-resolution pictures here.

1973 Takamine Model No. F360 Acoustic Guitar

Sweet vintage Martin copy, a little beat up, but all original

These Takamine lawsuit models have been an interest of mine for a while and I've finally found a couple at good prices. As luck would have it, I've ended up with possibly some of the first and last of these Martin copies that the company made. 

Takamine experts state that 1984 was the year that the lawsuit was threatened, so 1984-85 should have been the cutoff. The first model that I picked up was a 1987. The history also shows that 1975 was the first year of major distribution to the US, so this one predates those models.

My first guess would be that both of these guitars were not only built in Japan, but also purchased there and then somehow made their way here to So. Cal.

This one does have some issues, the frets show major wear, the last owner said it was mainly used as a beach guitar, so the salt in the air probably caused the tarnishing. There is also some slight warping by the bridge, but I filed the saddle down real low and that helped the action alot. 

It stays in tune so far and there isn't any buzz, so it works for me.

Just set her up with some D'Addario Custom Light strings last night, plays and sounds great.

Thanks for looking, more high-resolution photos here.

 

1987 Takamine G330 Acoustic/Electric Guitar

Classic vintage lawsuit model, Martin dreadnought copy, modified with a pickup for plug-and-play

This is the first of these Takamine lawsuit models that I've been able to take home. I'd really been looking forward to grabbing one and it's as advertised, super sweet. The only thing that it's lacking is a solid top, but I was told that one of the previous owners was a guitar tech and it is setup beautifully. The action is real low, which makes it easier to play, and what appears to be a bone saddle gives off a nice tone.

An under the saddle pickup was also installed at some point, so this one has the added acoustic/electric feature. On top of playing and sounding great, this one is still in real tip-top shape. The only blemishes are some real small, barely noticeable marks on the top of the headstock and there is minimal wear on the first three frets.

Now that I've been able to jam on one of these, I want to find an old F series Takamine lawsuit model even more. Those generally go for at least $400, I was able to get this one for a little less and it's definitely worth every penny.

Thanks for looking, more high-resolution photos here.