1989 Roland Boss MG-10 Guitar Practice Amp

Vintage practice amp, from the famous effects and amp giants, made in Taiwan

Contemporary Americans may be among the most nostalgic humans to roam the Earth and this blogger is no exception. As mentioned in the post about the Squier 15 Practice Amp, this Boss amp was the first thing that I ever plugged a guitar into and made some horrible noise. So even though this little box isn't the world's greatest amp, I had to have one when I saw that they were still floating around 25 years later.

I plugged the Knight Warrior into this little guy when I got home on Friday night and messed around with it for about 20 minutes, before giving way to the Fender Eighty-Five and getting some real good Cobain-esque sounds. I'm not sure this will get very much use and I definitely bought it for the memories, but at least it is in impeccable shape.

The previous owner listed it as "never used" and I can believe it. You can see some white marks on the molding along the face of the amp, but those are the only and tiniest of imperfections. I definitely didn't remember this thing being so small, I think there are two 5-inch speakers inside. Other recent reviews claim that this takes Boss pedals very well, and that would make sense, but the only Boss pedals that I have are overdrive and distortion. This amp already comes with built-in distortion, possibly with the same components as the pedals, so I haven't made a point in plugging them in yet to find out.

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1994 Takamine G334 Acoustic Guitar

Vintage dreadnought, made in Taiwan, original owner and my main guitar since 1994

 

I wanted to feature the rest of my longtime pieces, before we move on to some new acquisitions and an update on some items that were featured in the past. This one has been my acoustic guitar of choice for over 20 years. Even when this thing was brand new, it sounded sweet enough that friends were asking to use it for demo recordings.

This has since seen countless recording sessions and shows all over the state. I recently took it to Clay at Beach City Pawn and Guitar for some fret work and a set up, and he was very impressed. He even swore up and down that it's a solid-top, even though it doesn't look like it to me and Takamine's website says otherwise.

I purchased this beauty at Guitar Center in Fountain Valley, I believe the day after Christmas, 1994. The sticker price was $699 and they were having a buy one, get one free sale. My good friend and eventual first roommate wanted to buy an acoustic guitar and I didn't have one myself, so we decided to take the plunge after sitting around and playing a bunch of them for a few hours. Over these last few years, I've only picked up a few acoustics that have rivaled this beauty and its still on the wall as one of my go to's...

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1978 Yamaha FG375S Acoustic Guitar

Vintage solid top, made in Taiwan, in top playing condition with slight surface wear

Most of the guitars that I buy are purchased out of sheer curiosity. Sometimes I've never heard of the brand or its something that I've seen or heard about and never actually played, so I'll at least check it out to see if its playable and then make my decision. This is a rare case where I saw something that I had to have and it will be tough for me to let go.

Along this now 3-year long journey of testing out vintage gear, Yamaha is one of the names in acoustic guitars that has made a good impression on me. I've been able to find many FG models from the early-to-mid 1970s and even more contemporary models. I even picked up a FG400A from the early-90s during a trip home to Philadelphia a couple of years ago. All of these guitars have been very good players, especially for the price and a some of them have been absolutely beautiful.

This one falls into that category. It doesn't possess the booming low-end tone of the FG-160s and 200s, but it plays like a much more expensive guitar. The diamond inlays and thick binding give that impression and other than a few nicks on the face and headstock, she's still in very good cosmetic condition as well. Someone slapped a set of Grovers on there and probably a long time ago, as they read "patent pending" on the bottom. I'm absolutely ecstatic with this guitar. I paid a little more than I normally do for what is featured here, but it was well worth it and my arsenal of acoustic guitars just got a really big gun.

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1990s Squier 15 Practice Amp

Vintage jam box, made in Taiwan under the Fender banner

Normally the Squier brand isn't something that I would purchase, especially after spending a little time with the more recent guitars they've put out. This amp, however, carries a large amount of nostalgia with me. The 2nd amp that I ever owned was a Squier 15 and I traded a fellow classmate of mine my first amp, a Boss MG-10, because he came by to jam and I just fell in love with the old school crunch that it was pumping out through my Les Paul.

Sure enough, it still kicks and this youtube video (not me) demonstrates just some of the sounds that this little guy is capable of. That guy is playing a 50-year old Fender through the amp in that video and my Custom is a 1977, so maybe that does play a (large) role in the final sound, but I was happy to score one. These are still available all over this place somehow, I must see one or two every month. If you're an amp person and you're looking for something new to play with, you can find these for as little as $20.

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1974 Yamaha FG-200 Acoustic Guitar

An update on this 40-year old gem from the FG series, made in Taiwan

About a year and a half ago, this beauty was found about 20 miles away from me and the private owner that was selling it said that it had been sitting around for years. It had been through alot, with all sorts of dings, chips and scratches along the sides, back and face of the guitar. The original tuning keys had also had some casualties.

The first time new strings went on this guitar, the end of another tuning key snapped off, so it was time for replacements. The solution was a chrome set of Grover tuners. The screw holes matched the original set, so it was an obvious choice. The slots didn't really line up though, so new holes were made slightly to the side. The headstock does look a bit off, but its not an eyesore.

This guitar also brings about another cool story. All of these guitars have photos that are posted on Facebook and people from all over the world stop in to either talk about these guitars or ask questions that they may have. One fellow in Pennsylvania saw the photos and commented that he had broken one of his tuning machines years ago and could never find another one. Since the originals had been replaced on this one, he sent in his address and we were able to make his guitar complete again.

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1974 Yamaha FG-200 Acoustic Guitar

Vintage dreadnought, made in Taiwan, a little beat up, but still a great player 

Though not as nice as the first FG-200 that I picked up last year, this one sounds and plays beautifully, even if it has more than a couple of cosmetic flaws. One tuning key is a little off-center and another has been replaced completely, but at least a Grover was used as the replacement.

There are too many dings and scratches to count along the body and face, but nothing too deep and none of them effect the structure at all. Someone also installed a strap holder at some point, but they did a fairly good job of it.

One thing that caught my eye was that the tuners say "Made in Japan", but the guitar was clearly built in Taiwan, as stated on the label. This must have been one of the first batches made over there, with some of the parts being imported from Nippon Gakki. It has a sweet low-end tone, like the other four vintage FG series guitars that I've been lucky enough to find. I installed a set of Martin SP Light strings and will definitely show this one some love in the coming weeks.

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1992 Takamine G330 Acoustic Guitar

Vintage dreadnought, made in Taiwan, a precursor to today's G Series 

SCGM loves Takamine guitars, from the old Japanese Martin copies to today's G Series, the company has always put out quality, affordable products. This one was a craigslist find, it has it's flaws, but they're purely cosmetic. The finish has a milky haze, which I've read is moisture that somehow gets between the wood and the finish. The previous owner couldn't figure out exactly how it happened, but this Takamine 12-string from the same era also had the problem.

Like that 12-string, this guitar also plays and sounds great. I've had a G334 since December 1994 and this one feels nearly identical. The action is nice and low, with no buzz whatsoever. It also has the same die-cast Takamine tuners. We'll leave this one out of the case to see if that haze starts to dissipate after time and will set it up with a new bone saddle sooner than later, to get an even sweeter tone from this beauty.

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1980s-90s Boss DS-1 OD-2 & SD-1 Effects Pedals

Vintage black label effects, industry standards, made in Japan and Taiwan

As promised, there are no shortage of effects posts. A month-long search for deals on vintage stompboxes yielded over a dozen candidates and the ones that made the cut will be featured. After the MXR Distortion +, I was able to score great deals on three Boss pedals, the DS-1 & SD-1 probably being the OD/Distortion pedals on most players' boards and the OS-2 was said to have a different feel, so one of those was swept up as well.

First thoughts are that the DS-1 is very noisy and the distortion a little muddy. I was hoping to get more of an 80s thrash metal sound with it, but maybe that's why they made the Metal Distortion pedal? The SD-1 has that classic Guns N Roses sound just nailed, but it's also noisy. At first I a bit worried that these pedals were bunk because of the noise, but I've read that the problem is common and many modifications are available to fix it.

The OS-2 is the only one of the three pedals that was made in Japan and the date ties to 1986. The DS-1 is 1990 and the SD-1 dates to 1981, but these pedals began coming out of Taiwan in 1989-90, so I'm guessing 1991 with some serial number referencing getting lost in the conversion. The OS-2 was putting out a sound close to that MXR pedal mentioned above, so I'll probably pair it with the DS-1 and put the SD-1 on a board with the MXR.

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1995 Takamine G335 12-String Acoustic Guitar

Sweet little 12-string, made in Taiwan, not to be confused with the current G Series

This is actually the guitar that started all of this madness, when I picked this up a little over a year ago. I bought a Takamine G334 6-string brand new back in late-1994 and when I saw this available at a great price, I couldn't pass it up. Even with some dirty old strings, it sounded and played nice enough.

Fitted with D'Addario Acoustic XL strings, it sounds really bright and plays a little easier than the Fender solid top that was featured here a couple of months ago. Like the Fender, this is also a quality guitar. This one has nice tuning keys that bear the Takamine name, but were made by Ping.

The finish is a little hazy, which is something that I've never seen before. Looks like someone may have tried to clean it and messed it up. Other than that and a couple of small nicks, it's in perfect working order.

12-strings are always popular models and this is one of the better ones that I've played. The only one that was better was a high-end Guild and that's really no contest... Still, I've never had a Takamine, or even a Jasmine for that matter, that wasn't a good player. Great guitars for all levels. 

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1976 Yamaha FG-160-1 Acoustic Guitar

Vintage folk guitar, Black Label era, made in Taiwan 

Looks like I've settled on a few brands on my quest for affordable vintage acoustic tone: Carlos, Takamine and Yamaha. This is the 2nd FG-160 that I've had in the last year and this one is a better player by a mile.

Like that other 160, this one is not in museum-quality condition, with a fair amount of nicks scattered along the face, back and sides of the body. But, all of the flaws are cosmetic, the guitar is still rock-solid, no breaks or cracks and all of the tuners are in good working order.

Whoever had this before set the action pretty low, but that suits me just fine. I set it up with Martin SP Custom Light strings last night and cleaned it up a little bit. Even with the smaller gauge strings, the low-end is still nice and warm. All of these FGs have been players, the next Japanese model that comes my way will be staying...

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1975 Yamaha FG-165S-1 Acoustic Guitar

Awesome Black Label dreadnought, sweet sunburst finish and dovetail pickguard, made in Taiwan

This is the 2nd Black Label Yamaha that I've been able to get my hands on within the last year and this one is a rare sunburst model in real good shape nearly 40 years later. As with the other two 70s FG Yamahas that we've featured, this one plays easy and has a nice low-end tone.

The sunburst finish and pickguard only add to the vintage vibe. There is some heavy wear on the face from hard playing and the finish is worn off a bit around the soundhole, but that's really it. Signs of heavy use, but no abuse. 

This one isn't as nice as the FG-200 that was featured a couple of months back or an FG-160-1 that we just picked up yesterday and will be featuring soon, but it was still a great find. Can't get enough of these old Yamaha, Takamine and Carlos acoustics. 

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1970s Yamaha F-160-1 Acoustic Guitar

Beautiful vintage instrument has aged very well, just needs a little love

Mid-70's Yamaha acoustic guitar in great playing shape and still rock solid. The first number in the S/N is tough to read, but these black label Yamahas were only made from 1974-1976 and the only thing missing is one of the original covers for the tuning gears.

A new nut would be advised, as the B string sits down too low in the slot and buzzes out hard. I stuck a piece of masking tape in there as a temporary fix and it works just fine.

It still sounds great though, especially the low end. If you can find one of these in playing shape, I highly recommend it. I've seen them pop up every now and again from $100-$300.

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