1985 Ibanez Roadstar II RB850 Bass Guitar

Vintage Japanese double humbucker bass, in immaculate condition, inside and out

The last few months included a quest for a bass with a humbucking pickup and after considering more recent Korean models from Schecter, Kramer and a Peavey Grind Bass that was made in Vietnam, this vintage beauty just appeared out of nowhere. I've now had 3 Roadstar guitars and basses over the past few years, two of them came from the Goodwill and both have incredibly been in impeccable condition.

I had no idea that Ibanez made a humbucker bass as part of the Roadstar series, so the ability to fill a need with my favorite brand and era of electric guitars make this an even sweeter find. This neck is super thin, even for an Ibanez and of course, it plays incredibly fast. The body also sports a sleek and slim design.Other features that stand out are the headstock and truss rod cover, which are reminiscent of the older Roadster series.

Also of note on this beauty is that it included both the original boomerang strap holders and odd-shaped, brown leather hardshell case. On the technical side, the bottom two knobs seem to control the two pickups and both are push knobs that turn them off and on. I haven't spent too much time messing around with this one yet, as most of my recent free time has been spent building some pedalboards and playing the Peavey Deuce tube amp and another sweet vintage amp that will be featured tomorrow.

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1980 Ibanez Iceman IC-50 Electric Guitar

Vintage Japanese axe, with original hardware and custom paint job

This is another guitar that I've owned for over 20 years and I also found this one at Westminster Jewelry and Loan. When I bought it, it was black and had many rough patches on the body, where it had been scratched and/or dinged. My buddy decided to strip it and sand it down a little to smooth out some of those blemishes and used crackle paint from the local hardware store for the paint job. A thin layer of lacquer was applied to seal it and it has slightly faded into a bit of a sweet cream color today.

The hardware was also in very bad shape, the tail piece and saddle were dipped in some sort of black coating that used to make a better grip on tools. Maybe it wasn't the best idea, sonically, but it looked cool and lasted a fairly long time.Another distinguishing feature on this guitar is the nut at the end of the fretboard, someone scalloped it at some point and that's not something you see on what is considered a mid-level guitar, at best.

I took this in to Clay at Beach City Pawn and Guitar to replace the toggle switch and clean up the electronics. He also set it up and raised the pickups. This one always played and sounded so good, that it was actually my main guitar when I first got it and I played it at my first gig over the vintage Les Paul that I've had for nearly 25 years. The pickups aren't quite as hot as the Gibson and it's a great option for laying down rhythm tracks. I'll take it back to Clay at some point to restore it further, the tuning keys have a fair amount of tarnish and the frets could use a cleaning.

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1990s Ibanez TR 300 Expressionist Bass Guitar

Semi-rare Korean Fender Jazz bass copy

The latest acquisition is a mid-grade gem, a solid Jazz bass copy that has seen its share of action. You can see the rust spots on the pickups; likely created by beads of sweat and the bridge also had its fair share, before I took a toothbrush and some Bar Keeper's Friend to it. My buddy Clay at Beach City Pawn and Guitar cleaned a nice layer of gunk off the fretboard as well.

The only info I could find on this model was in the 1996 Ibanez USA catalog. Its loaded with passive pups called Power Tier. The previous owner listed the color as burnt orange, but it looks like black and this cherry red finish were the only two that were produced. The catalog also brags about the dual-mount EB7 bridge that is installed on it.

I picked this up for a few different reasons. First, its an older Ibanez and second, I was looking for a bass with a rosewood fretboard, as the other basses on the rack right now have naked maple necks. I'm also looking to be able to achieve different sounds with all three basses, as one is a P-bass, one a P/J and now this J-bass. I may take out the pups and replace them with Seymour Duncan rails to get a fatter sound with it, if its even able to be done.

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1970s Ibanez AD-230 Analog Delay & Multi-Flanger

Vintage Japanese effects unit, super high-quality pro-audio equipment

After suspecting that the GX60 Ibanez guitar amp that I've recently come across was built by Maxon, the discovery of this beauty may have confirmed it. The circuit boards inside the casing all have Maxon stamped on them and it all looks super clean as well.

This will need repair, however. It powers up fine and switches between effects, but the effects don't actually kick in unless you crank the volume to the max. Something must be shorted out somewhere. Hopefully it will be an easy fix. When I'm able to find the sweet spot and this thing works like it should, the sounds are top-notch.

This has a very large following in the collector's market, like most 70s and early-80s Ibanez gear. Famous players who used this model, which was manufactured between 1977 and 1979 are Jerry Garcia and Bob Weir of the Grateful Dead and Steve Miller. On top of being highly-collectable, these are also incredibly rare. I've seen it listed from anywhere between $550 and $1200 recently.

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1980s Ibanez GX60 Guitar Amp

Vintage early-80s Japanese combo amp, great cleans and distortions, takes pedals very well 

 

This was an incredible thrift store find and a rarity at that. Ibanez is among my favorite guitar brands, namely because of their electric guitars and the "fast necks" that they've been equipped with since at least 1980. This amp was also built around that time and just about everything they pumped out seems to be high quality merchandise.

Ibanez guitars and pedals from the era have a great reputation and are highly-sought after in the collectors' market, but I had no idea that they made amps as well. Much like the Boss SE processors from the late-80s simulate the sound of the pedals produced by Roland in the same period, this amp is capable of reproducing "tubescreamer" tones with the distortion on and the reverb is also very smooth.

Like many of the other items that have been featured here over the years, I haven't been able to dig up much information on this beauty. Its possible that the amp was built by Maxon, which also made the Ibanez pedals referred to above. If anyone has any info on this amp, including whether or not it came with a footswitch, please feel free to drop a line.

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1984 Ibanez Roadstar II RB650 Bass Guitar

Another top-flight 1980s import, still a popular choice with collectors and musicians 30 years later

Like it's younger cousin that we featured yesterday, this is another super-nice Japanese Fender copy from Ibanez, with P/J pickup configuration and a maple neck. This model still has all of the original hardware, including the very hard to find "boomerang" strap holders.

Can't believe how fast this plays for a maple neck, most others seem to be really wide. This one needed a little work with the electronics and it has been beaten up a bit over the years, but it's still in perfect playing shape.

This was the top model of the Roadstar II Standard Series in 1984, but I'm not sure if they had a Deluxe or Custom Series that year. Either way, this is a great bass for gigging or recording and you can generally find a mid-80s Roadstar bass from anywhere between $200-$300.

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1985 Ibanez Roadstar II RS440 Electric Guitar

Vintage Super Strat, Made in Japan, original hardware and custom finish, classic guitar

This is a real beauty, an old-style Ibanez super Strat, with a vintage locking tremolo system. Someone stripped off the original white finish and treated it to give it a natural relic'd look.

On top of looking great, it also plays like a dream and is rock-solid. No dents or cracks anywhere and the frets still have some life left in them.

The original Ibanez pickups are still well-regarded to this day and the Pro Rock'R Top Lok tremolo system is generally seen as superior to the Edge systems that succeeded it.

All in all, this is a pro guitar. The Roadstar series has a great following in the collectors market and for good reason. These are much better than today's MIM Fender guitars and you can expect to pay anywhere between $300-$400 to get one in great shape.

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